Tom Lubbock was a writer, illustrator and art critic.
In March 2006, Tom Lubbock reviewed the Dada and Bauhaus exhibition at Tate Modern for 'The Independent'. Here is an extract from his piece:
... unfulfilled dreams don't go away, and the dreams of art are especially persistent, because art is always bringing up its past, even when it doesn't know what to do with it. Political systems that are founded on a revolution tend to commemorate the event, once a year, with speeches, gymnastic displays, a military parade. It can be an awkward occasion. It may only remind people of how far things have strayed from the original ideals being honoured.
It's not so different with art. In some ways, it's more awkward. Art is continually looking back upon its forebears, and trying to celebrate them. But those forebears, quite recent ones, too, can turn out to have ideas and ideals remote from our own. The things they wanted from art, or hoped that art would do, we don't believe in now. Still, we can't quite put them behind us.
Take two modern-art movements that emerged from the wreckage of the First World War: Dada and the Bauhaus. They make a complementary pair. Dada was a sporadic series of anarchic performances, declarations, exhibitions, staged across Europe and the USA. The Bauhaus was an innovative school of art and design founded in Weimar Germany. One was devoted to an art that would break everything up, the other to an art that would make the world anew. Destructive: constructive. In both cases, their desires leave us rubbing our eyes.
If anything, the Bauhaus looks the more lost cause. If you're an artist today, you can just about pretend you're a Dadaist. The art world will offer you a playground for disruptive acts, and pat you on the back for being transgressive, and beyond that, Dada was never very clear what was supposed to happen anyway. But in the Bauhaus game plan, the big world has to collaborate. The visual arts are to be integrated with industrial manufacture. The creative values of the school will spread throughout society. Every home will have them. The project has definable goals. You can't play at Bauhaus.
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